La Casa Xochiquetzal, Mexico City, Mexico

La Casa Xochiquetzal (The House of the Beautiful Flowers) is a retirement home for prostitutes, established in Mexico City’s Tepito neighborhood, that got it’s name from the Aztec goddess of love and women. The center was founded in 2007 by a former prostitute, Carmen Munoz, impressed by the old sex workers she saw sleeping in the streets. And it wasn’t easy at all. It took years of lobbying for her to get the support of the government and local media. Andres Manuel Lopes Obrador, mayor at the time, gave her a dilapidated 18th century house, which she transformed into what is now home for 23 old prostitutes, with available accommodations for 45 women. They have to fulfill one condition, other than the obvious one, being a former sex worker, and that regards their age – women have to be at least 60 years old. Interestingly enough, even if they aren’t required to, many of the prostitutes choose to continue practicing their job. In most cases, they have been sold as young girls or even as children and forced into prostitution, thereby no contact with their families has been kept. Although most of them can still work, the money is very little, compared to what younger women earn, and this makes it impossible for them to survive by themselves, so Casa Xochiquetzal comes as somewhat of a blessing.
In Aztec mythology, Xochiquetzal was a goddess associated with concepts of fertility, beauty, and female sexual power, serving as a protector of young mothers and a patroness of pregnancy, childbirth, and the crafts practised by women such as weaving and embroidery. Unlike several other figures in the complex of Aztec female earth deities connected with agricultural and sexual fecundity, Xochiquetzal is always depicted as an alluring and youthful woman, richly attired and symbolically associated with vegetation and in particular flowers. By connotation, Xochiquetzal is also representative of human desire, pleasure, and excess, appearing also as patroness of prostitutes and artisans involved in the manufacture of luxury items.
She was followed by a retinue consisting of birds and butterflies. Worshippers wore animal and flower masks at a festival, held in her honor every eight years.